Two practices · booked together or on their own
Two separate practices under one name. Films by CineVik is the editing work — wedding films, teasers, same day edits and reels. Aerial Stories by CineVik is the drone work — aerial cinematography flown under a DGCA remote pilot certificate. Either one can be hired on its own.
Three recent couples, cut by CineVik. Each film plays on this page — no need to leave for YouTube.
These are two different jobs with two different skill sets, and they are quoted and booked separately. Book the edit, book the drone, or book both — neither one depends on the other.
The story is built in the cut — where the vow audio sits, how long a glance is allowed to hold, which song the entry turns on. Footage is only the raw material.
An aerial is not an establishing shot bolted onto the front. It is the reveal — the venue at golden hour, the baraat moving through a street, the two of them alone in a very large landscape.
Every film is on YouTube, sorted by what it is rather than by year. Each slate opens a full playlist.
The complete films — every event cut into one story, from the first haldi frame to the send-off.
Shot in the morning, cut through the afternoon, screened to the room before the night ends.
The first thing anyone sees. Tight, scored, built to be forwarded on a family group.
A shoot with room to direct — location, light and pacing chosen rather than caught.
Ring exchanges, families meeting, the one evening that sets the tone for everything after.
Couples and destinations outside the home circuit — new light, new venues, same approach.
9:16 cutdowns made for the phone, not letterboxed leftovers from the wide edit.
A certificate is not a bragging point, it is insurance against the shot being cancelled. Venue managers, hotel security and police all ask the same questions — these are the answers, in advance.
India's airspace is mapped into three colours. Which one your venue sits in decides whether a drone goes up at all — so it gets checked before anything is promised.
Zone status is confirmed per venue and per date before a shoot is committed.
What you receive. Aerial clips handed over graded or ungraded — whichever your editor prefers to work from. The drone work is a standalone booking and does not have to come with an edit.
An edit and a drone booking follow different paths. Book both and they run alongside each other rather than as a single job.
What the film is for, how long it should run, and what footage already exists.
The structure built and scored, sent over as a private link to watch.
One round of changes on the cut before the master is locked.
Masters in 16:9, vertical cutdowns where booked, and a YouTube link if you want one that lasts.
The two things that decide everything. Nothing is promised before the airspace is checked.
Zone confirmed on the DGCA map. Where clearance is needed, it is applied for ahead of the date.
Flown to the agreed shot list, in daylight and within visual line of sight.
Aerial clips handed over in the format your editor asks for.
Horizontal
The full wedding film and the teaser, graded and mixed, delivered as a master plus a lighter copy that is easy to share.
Vertical
Cut for vertical rather than cropped into it — reframed shot by shot so faces stay in frame on a phone.
Hosting
Films hosted on the CineVik YouTube channel so relatives without the files can still watch, years later.
Runtimes, number of shoot days and packages are confirmed per wedding — ask at the enquiry stage.
Enquiries
Say which one you need — an edit, a drone, or both — along with the date and the venue. That is enough to come back with availability, and for drone work, whether the venue's airspace allows a flight at all.
Dates for the main season go early — enquire before the invites are printed.